Press photo of Tove Lo

Tove Lo: Estrus Tour

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EVENT INFO: 

Doors: 7PM

General Admission All Ages


The ESTRUS TOUR will celebrate the release of Tove Lo’s sixth album of the same name, dropping worldwide on Friday 18 September. The global tour kicks off in Nashville on 15 September and will visit cities in the US (supported by Mallrat), Canada, Mexico, UK and Europe over the coming months.

Joining Tove Lo as support on all Australian tour dates is SALTY, one of the country's most exciting emerging pop voices. Following her breakout debut EP the other side and standout track “See U In 3”, SALTY has continued to build momentum with singles “Touch Grass” and “The Eye”, delivering sharp songwriting and infectious hooks that turns life's messiest moments into pop hooks worth singing and dancing along to.

 Few artists have redefined the emotional possibilities of modern pop as completely as Tove Lo. With a diaristic style and a defiant openness around sex, addiction and vulnerability, she has become both a pop outlier and a generational touchstone with global hits such as “Habits (Stay High)”, “Talking Body”, “Cool Girl”, “Disco Tits” and “Glad He’s Gone” and a devoted audience drawn to her unfiltered perspective.

ESTRUS (meaning female mammal in heat) dives into an even deeper, uncharted level of honesty. Inspired by The Knife, Robyn and much of the Swedish indie dance music she grew up on, Tove Lo recorded the propulsive electro-pop of ESTRUS with her longtime collaborator Ludvig Söderberg, alongside Elvira Anderfjärd and Luka Kloser (Addison Rae), and includes a standout collaboration with internationally acclaimed Belgian-born artist, writer, producer and designer, Stromae. The album was recorded in LA, Stockholm, and in a small fishing village in Sweden where she spent summers as a child and where she also made parts of Dirt Femme. Returning there brought everything back: “growing up, being depressed, struggling with my eating disorder, going through breakups, family drama, loss, everything.” To get to the core of herself, she realized she had to return to where she was first formed. That messy younger self is still accessible to her, now refracted through time.

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